| Author |
Topic Search Topic Options
|
Blackcyclops
Member
Joined: 13-Apr-2007
Location: Chi-Town
Online Status: Online
Posts: 7293
|
Quote Reply
Topic: SpinOff XMLegacy #233:Writers Wishes Posted: 02-Mar-2010 at 5:53pm |
In the X-Men: Legacy #233 thread a discussion started about Carey not having as much clout in the X-offices as the other writers. Someone brought up examples of his wishes or stories not going as he said so in interviews and such (to see the fully written post check out the thread...Sixhours explains it well-http://uncannyxmen.net/forum/forum_posts.asp?TID=7244&PN=3). From there I thought of this point:
Well I mean going off that we don't know how much
of "what they want" any writer gets...I mean there could be 20 more
instances were Carey didn't get what he wanted. While it could be 20
more where he did. I mean obviously we wouldn't get a "Carey's a total
pushover" but we also don't get a linear note everytime somebody wants
something done in their book and they do or don't get it over someone
else...We don't have enough evidence to extrapolate anything, I mean
for every idea that Carey got squashed maybe K/Y got 5 squashed or 7. I
mean maybe K/Y wanted to kill like nearly everyone on Utopia or wanted
to make Utopia a moon base. I mean I know those are exaggerations (I
hope) but the same way you say we have evidence that shows Carey has
been "overruled or undermined and the fact that some of his wishes have
been ignored" we don't know about all the evidence where he gets his
way or about the ratio of get what you want and don't get what you want
from other writers... |
So my question is do you think we can truly infer things like which writer has the most clout or say so by solely looking at what is done? Or do you think we need more information. And for that matter do you think that me and Six's discussion is irrelevant or not important to the topic of what happens in a book?
Edited by Blackcyclops - 02-Mar-2010 at 5:57pm
|
|
"And someone's mom wants to eat all their souls. As a mom, I was offended. Moms should get to be role models, too."-Savant
|
|
|
 |
Chazwinski
Member
Joined: 02-Dec-2007
Location: United States
Online Status: Offline
Posts: 280
|
Quote Reply
Posted: 02-Mar-2010 at 6:28pm |
|
Well, I'm just going by the comments I have read over time here at UXN, but I generally see a lot more positive comments about what Carey is doing in Legacy than what Fraction is doing in Uncanny. Then you read things that happen in Uncanny where it seems that Fraction has disregarded what Carey's done (The infamous Magneto/Xavier scene being the most obvious, which to Matt's credit, he has attempted to make up for)and it does make you wonder. If you look at the direction the books are going, which writer is given the most relevance? I know that UXN isn't the only forum on the net, but with the exception of You, Lorr, JanO and a few others, the majority of the responses to Fraction that I've read have been horrendous. Marvel obviously likes Matt, and has no intention of replacing him regardless of the negative criticism...that sounds like Matt has a lot of clout in the office to me. However, you are right in that we don't really have a lot to go on, if we're trying to know what goes on behind closed doors. We're just guessing.
|
 |
Blackcyclops
Member
Joined: 13-Apr-2007
Location: Chi-Town
Online Status: Online
Posts: 7293
|
Quote Reply
Posted: 02-Mar-2010 at 6:42pm |
|
Well from what I see of Uncanny's sales clearly someone else likes it LOL...but I mean that doesn't mean I don't think criticisms about it have merit...and I mean Fraction isn't the only writer who some people feel has a large amount of clout in the offices...I mean look at Loeb or K/Y or Bendis. I mean Bendis is perhaps the only one where actual evidence has been shown that he has some push and pull...but what about Loeb?
|
|
"And someone's mom wants to eat all their souls. As a mom, I was offended. Moms should get to be role models, too."-Savant
|
 |
Chazwinski
Member
Joined: 02-Dec-2007
Location: United States
Online Status: Offline
Posts: 280
|
Quote Reply
Posted: 02-Mar-2010 at 6:48pm |
|
I honestly haven't been keeping up with Loeb. They'll let Bendis do anything he wants... well except for letting a character smoke a cigarette. *rolls eyes*
|
 |
Blackcyclops
Member
Joined: 13-Apr-2007
Location: Chi-Town
Online Status: Online
Posts: 7293
|
Quote Reply
Posted: 02-Mar-2010 at 7:01pm |
|
I honestly think (and I know this is off topic) but I think the smoking thing achieved a life of its own. I think originally it had an actual merit (remember when it came out, smoking was evil) and its one of those things were the press and some hyper-fans keep bringing up and I'm sure they want to ignore but they gotta constantly constantly reference and discuss...gotta love the scrutiny of the media on fiction...LOL
back on topic LOL...well Loeb constantly gets work even though many people remark his work as bad (Ultimates 3 was labeled by many as the worst comic of 2009) but on the same token he still manages to write ALOT!
|
|
"And someone's mom wants to eat all their souls. As a mom, I was offended. Moms should get to be role models, too."-Savant
|
 |
Lorr
Member
Joined: 09-Apr-2007
Online Status: Offline
Posts: 1509
|
Quote Reply
Posted: 02-Mar-2010 at 7:24pm |
|
Jeph Loeb is easy. I hear he works really well with the artist he is partnered up with. Writing to their strengths etc. So alot of artists like working with him. So people buy alot of Jeph Loeb books because they like the art.
That one is easy to infer. Other cases of preferential treatment are a little tougher to decipher. Sometimes it seems like writers are rewarded for doing a good job. Jason Aaron and Fraction received spots on Wolverine and Thor after they wrote highly acclaimed one off stories for each. Sometimes it seems like good writers are constantly getting screwed over ( PAD's infamous crossover problems, Carey being "forced" to write a non-team book, Claremont and Brubaker not being able to use characters they wanted).
I don't know what the hell goes on behind the scenes, but after all of that public nonsense behind OMD with JMS and Quesada, I would say that any theory is just as plausible as the next. I can see how some people may not be so quick to write off conspiracy theories.
Edited by Lorr - 02-Mar-2010 at 7:27pm
|
 |
Anti-Limbo
Member
Joined: 21-Jan-2010
Location: IL
Online Status: Offline
Posts: 274
|
Quote Reply
Posted: 02-Mar-2010 at 8:16pm |
To me it seems that Fraction has clout because he's writing Uncanny which is the flagship X-Book, not because he's Fraction. The focus--storywise--of the X-universe is Uncanny so he gets whatever characters he wants and so on. I think if there weren't a wider story being told in Uncanny and it was just one of however many X-Books he wouldn't have as much pull as he seems to. It probably doesn't hurt that Uncanny's numbers are good comparatively.
|
|
20 years later and I'm still waiting on the Hell's Belles to show back up.
|
 |
Guests
Guest Group
|
Quote Reply
Posted: 02-Mar-2010 at 10:52pm |
The problem is that Fraction is writing Uncanny because he is Fraction. Marvel wanted a high-profile up-and-comer on the flagship, which is the same reason they put Brubaker on it before. In fact, Brubaker recommended Fraction to replace him (the only thing I think Brubaker did wrong). I wonder if the same people that love Fraction's Iron Man and Casanova and haven't read the X-men in 20 years are the same ones that are boosting Fraction's sales. I asked my LCBS guy what he thinks of Fraction's work, and he responds: Oh, I've read a few issues. Bought a few more but haven't gotten around to them yet. But of course, you gotta get them, cuz Fraction's great.
Me: Oh, well I completely disagree.
Comic Book Guy: Have you read Invincible Iron Man?!?!?!
It's exactly this kind of response that I think is popping up the sales. Plus, it's a bonafide flagship, like Astonishing and New X-men before it, which will always boost sales in and of itself.
Carey, on the other hand, is not really known to people unless they read Hellblazer. I'd never heard of him before X-men.
Edited by ajandrew1212 - 02-Mar-2010 at 10:53pm
|
 |
grief
Member
Joined: 08-Apr-2007
Location: United States
Online Status: Offline
Posts: 1048
|
Quote Reply
Posted: 02-Mar-2010 at 11:10pm |
|
Well, personally, I think comparing Fraction on Uncanny to Carey on Legacy is a bit off. While yes, Fraction has the name NOW, when he was on Uncanny the only book he wrote for Marvel was Immortal Iron Fist, and then the Order - both of which he left to do Uncanny. Both of those books were great IMO, but I had never heard of him otherwise.
It was much the same for Carey - I had never heard of him until he was on X-Men and I loved him. X-Men/Legacy has been one of the most SOLID runs in recent years and if given the chance to write the flagship book, I bet he'd become the Big Name that Fraction is now.
As for the topic of "who has more pull and why", I do think that Fraction being on Uncanny is the main reason he has such pull. Marvel is really pushing Uncanny as THE main book and so Fraction can influence what he wants and how. Notice that while Carey has said LOTS of character he wants to use, there's been no real reason for him NOT have used those characters. Most of the one he's expressed interest in are either on Utopia or not being used at all - he just hasn't used them. Whether this is due to editorial influence or what, I think it's just because he knows how to balance his story. He might want to write Northstar and Iceman and Husk, but Legacy (at the mo) is about Rogue and the kids. As such, he writes about Rogue and the kids.
|
|
Winner of Best 617 Hero for 2007 - Magneto (Magneto Cado Rex)
First (and only?) winner of Story of the Month for August 09 - misseDirections #3
|
 |
Crutey Anth
Member
Joined: 07-Apr-2007
Location: United Kingdom
Online Status: Offline
Posts: 309
|
Quote Reply
Posted: 02-Mar-2010 at 11:21pm |
Maybe Carey doesn't want to write a main book?
Fair enough writing 22 pages of comic is writing 22 pages but I imagine being in control of the flagship takes more time and effort maybe than one of the satelite titles? maybe not.
Fraction has Uncanny, Iron Man and the upcoming Thor. All big high profile titles.
Carey has Legacy, The Unwritten (Bloody brilliant btw) and is writing a series of books. I dare say that keeps him fairly busy as is.
|
“So that’s the deal. One-time offer. Take my hand. Let me help you. Let’s make a better world. What do you say?”
|
 |
grief
Member
Joined: 08-Apr-2007
Location: United States
Online Status: Offline
Posts: 1048
|
Quote Reply
Posted: 02-Mar-2010 at 11:24pm |
|
I need to try his actual book series.
|
|
Winner of Best 617 Hero for 2007 - Magneto (Magneto Cado Rex)
First (and only?) winner of Story of the Month for August 09 - misseDirections #3
|
 |
Jindianajonz
Member
Joined: 08-Apr-2007
Online Status: Offline
Posts: 15
|
Quote Reply
Posted: 01-Apr-2010 at 3:12am |
|
Grief: I just finished The Devil You Know yesterday, and it was great! Best novel I had read in a long time.
Carey is one of my favorite writers at Marvel (alongside Paul Cornell and Peter David) but I can definitely understand why he wasn't put on Uncanny- his stories, amazing as they are, would be horrible at drawing in new readers. His stuff is built on details and back story, and he is very deliberate in his pacing (I want to say tedious, but that has much too negative a connotation to it). His stories don't leave too many jumping on points for new readers. Putting him on Uncanny would be like handing the next Harry Potter movie to Stanley Kubrick.
Edited by Jindianajonz - 01-Apr-2010 at 3:13am
|
|
...either that or Wanda did it
|
 |
EvilMonkeyPope
Member
Joined: 08-Apr-2007
Online Status: Offline
Posts: 2498
|
Quote Reply
Posted: 01-Apr-2010 at 3:50am |
|
... Especially since Kubrick's been dead for a while. The Deathly Hallows would never get out of Development Hell with him at the helm.
|
 |
das_boot
THOIN Editor
Joined: 07-Apr-2007
Location: United Kingdom
Online Status: Online
Posts: 1687
|
Quote Reply
Posted: 03-Apr-2010 at 2:39am |
|
I think it's pretty obvious with certain writers, for example PAD. He's made his opinions on being pulled into crossovers pretty clear, and I can understand why. Messiah Complex, I can understand why he had to have X-Factor be part of it, but then the Secret Invasion crossover with Shulk was AWFUL. It added nothing to either book, plot wise, and it just seemed really really... meh. Like he WANTED the reader to know that he didn't care about the crossover and just wanted done with it so he could get back to his own story... I even wonder if what he did for Messiah Complex was his idea, since the series started off so strongly with a definite direction and then... not so much until the last arc or so... to me, it kind of felt like he was having to go on the fly to try and keep the readers involved, as well as trying to rectify the issues he had with where his title had been derailed to, and how to get it back on track to where he'd planned, if that makes sense?
But then again, surely that's always going to be the curse of writing a title as part of a franchise? You need to realise that at some point, you're going to be fair game for a crossover, which may well change your original plans...
|
|
Ever wish you could receive life advice from one of your favourite characters? Send an email to comicadvicecolumn@gmail.com and see whose sage counsel you receive!
|
 |
EvilMonkeyPope
Member
Joined: 08-Apr-2007
Online Status: Offline
Posts: 2498
|
Quote Reply
Posted: 03-Apr-2010 at 9:16pm |
|
I have no doubts that Carey can write The Core X-book. Supernovas through Blinded By the Light is an action roller coaster with all the right character beats. He can do arcs that are both self-contained and build upon each other.
|
 |